At work, she’s the icy corporate manager Harmony Cobel. (If you are avoiding spoilers, you might want to skip down a bit.) Like many of the characters, Arquette’s, though unsevered, is two people in one. With its sci-fi spin on work-life balance and an uncanny, retro-futurist set of mazelike office hallways, “Severance” has attracted an obsessive following since it premièred, in February. The feeling of being trapped is one of the many unsettling forces behind “ Severance,” the Apple TV+ series about a mysterious corporation called Lumon Industries, which has developed a chip that can split its employees’ minds in two: the people they are at work (“innies”) share no memories with the people they are at home (“outties”). “Last time I was in New York, I got locked out on a balcony,” she said, gathering herself. Arquette, in a flowy blue dress and chunky glasses, was panicked that we were locked out. We were on a sunlit terrace at a Manhattan hotel, and a room-service waiter delivering a shrimp salad had just let the door close behind him. “Whoa! NO!” Patricia Arquette screamed halfway through our interview, scrambling to her feet.
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